Collapse is a parallel audiovisual project to Telephasycx!, conceived as a more visceral, darker, and deeply experimental extension of its artistic vision. The concepts of distortion and fragmentation are pushed to their limits, exploring a space where noise becomes both a narrative and conceptual tool. The project dismantles conventional sonic and visual structures, integrating elements of noise, drone, and industrial soundscapes.

Through a minimalist and brutalist aesthetic, Collapse confronts the audience with raw, unfiltered emotions, challenging perceptions of musical order and comfort. Constantly evolving, it exists in a state of deconstruction, where experimentation and the questioning of artistic boundaries serve as its driving forces.

While rooted in the same influences as Telephasycx!—including Viennese Actionism, brutalism, and avant-garde sound—Collapse embraces a more introspective and disruptive perspective, blurring the line between structure and chaos.

They are emptying us. They are shaping us in series. They force us to accept loneliness as the norm, to become parts of an invisible machine, to silence our voices and dissolve into echoes.

Every layer they tear from us brings us closer to nothingness, transforming us into interchangeable reflections, stripping away all imperfections, all humanity.

They want us to accept uniformity as virtue, alienation as an inevitable destiny.

Collapse is a crack in that mold, an act of resistance against creative emptiness, a rejection of the isolation imposed on us by the fear of difference.

Here, there is no refuge in solitude, only the echo of a system that fears the unique, that disconnects us from our essence, from the spark that makes us irreplaceable.

But collapse is not just destruction: it is the last opportunity.

When everything crumbles, when uniformity disintegrates, we will find in the cracks the remnants of who we were, and from there, we will resist.

Because resisting is not an option: it is the only thing left.